Mobile Phones – today’s equivalent of a rotten tomato? And Shakespeare Vs. the modern cult of celebrity.
When I started as a volunteer steward at the Globe Theatre last year my motivation was to see more theatre for free, become part of a dynamic, creative hub and bask in the incandescence of an increasing feeling of cultural superiority (there’s nothing like casually mentioning, “I’m just off for a double shift at the Globe, yeah, it’s a turnaround today, Macbeth followed by A Midsummer Night’s Dream, *sigh* so not getting home before midnight” to make you polish your gleaming badge of cultural excellence with a smug grin).
Over the season and a half I’ve been there I’ve slowly been infused with the spirit of Shakespeare. A litany of fractured lines flit through my mind from a pool of plays I’ve been privileged to see performed over and over again. Sometimes I can even recall appropriately cryptic quotes at moments that require something profound; a skill I used to believe was reserved only for the likes of Dame Judy Dench, Mark Rylance and Professors of the English language (and my dad). And yet, surrounded as I am with this richness, this splendour, the highlight for me, the real moment that made my heart beat faster, my spine tingle and my mouth gape in a fashion not dissimilar to a cod fish, has to be when I sold a £4.00 programme to Glenn Close. Yes! That is the moment I relate to all my friends. Never mind the enriching cultural experience now; it sits by, Audrey Hepburn’s less attractive sister.
And that’s the problem. Dame Judy Dench in the front row of bay H is always just that little but more exciting then Banquo being violently slaughtered on stage.
It’s one of the hazards of working as an actor at the Globe Theatre where audiences are bathed in the same light as those treading the boards. Keeping the focus, pulling the thread of attention taut and winding it so that it doesn’t fray. In the times of Shakespeare himself groundling members might have shown their displeasure with boos and jeers or a timely thrown rotten tomato, while today, surrounded by a very modern audience, actors face a new challenge: mobile phones. Observing from my position inside the theatre I witness the struggle to keep individuals diverted from the beckoning demand to tweet and text.
@ the Globe watching Macbeth, oops, my bad, the Scottish play ?
Or they would be if only they could manage to extricate their attention from the screen. If this attention can’t be captured almost immediately then it can readily wane. Eyes scan the crowd, is anyone else into this waffle? Then drops low, hand steals into their pocket and retrieves their iPhone, which was only on vibrate anyway. The metaphorical tomato has been thrown and the stage drips with their indifference.
How can a four hundred year old playwright compete with the endless possibilities of a phone that allows you to call, text, tweet, listen to music, take photos and surf the internet? And when we stand him toe to toe with the living, breathing Glenn Close, Judy Dench, Jude Law, can we really call it a fair fight? These are people who relate to our world as we know it, in the 21st century, not passing down lessons from a time we cannot recall.
But, in the test of time, will the iPhone survive or be supplanted? Will it be a case of sliced bread or something we point and laugh at, I mean we’ve all seen the first mobile phones right? The Jude Laws and Glenn Closes have yet to do battle over the title of icon and who knows who will come out on top. In this fight, for now at least, Shakespeare is undoubtedly our winner.
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